Comedy. I think that’s something I’d really like to do.

I like Soderbergh, Spielberg, Lucas. There’s a lot of talented guys out there obviously, and if you’re a fan of films, you have to look at that stuff and learn from them.

It was great. I mean, it’s a blast directing underwater stuff.

You have to understand the tone of the movie, because if it’s supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you’re doing and make the action work for that and for the character.

Waterworld was the best time of my life. It was physically demanding, but it was fun. I mean, you’re in Hawaii for nine months shooting on the water every day.

Yeah, getting the company that would help advertise and cross promote the movie on the release was an important factor for New Line, so we went out to a lot of different companies.

We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.

Waterworld was the best time of my life. It was physically demanding, but it was fun. I mean, you're in Hawaii for nine months shooting on the water every day.

They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.

It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it.